Blackmagic cinema camera workflow mac

Dealing with a RAW workflow?

Raw requirements

ProRes 4: Shooting Procedural Question Clip review and delete on camera? Upgrading PC - wait for Thunderbolt? Adobe Premiere Mercury Playback Engine support in the future? How is this going to work now? Compositing and FX question about integration. Does this camera have a light meter built-in? Accelerating video card for de-bayering A slower and improved workflow. Breaking the DSLR habit.

Do I really need Resolve. Macbook pro retina and external? Adobe Premiere Pro CS6 vs. Tiff or MXF Workflow advice - equipment running now enough?

BlackMagic Cinema Camera Workflow QnA

Archiving the massive raw media list of bmcc qualified ssd's audio connectors?? Low impedance to high questions? Editing on the SSD drive It is very strange, but if you do not have extra software installed, answer will be no. Yes, you can. For capture Black Magic supply Media Express with the camera.

Mac users can also use Ultrascope software to aid exposure. Nope, only uncompressed CinemaDNG. Two other formats that consume less resources are not raw, they are just bit debayer data. Black Magic insist on using purely uncompressed approach. I absolutely do not share their opinion, and hope that next generation of similar cameras will have other options.

Do not worry. I looked into this and they mean 8bits debayered result, not 8bit raw files.


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  • blackmagic-cinema-camera:workflow [Personal View FAQs Wiki].
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  • Blackmagic Camera Post Workflow.
  • About Adobe Camera Raw.

You could get source 12bit linear raw and convert to 8bit with all adjustment specific to this conversion. Right now camera stores individual frames in individual files. For each new take it creates separate folder. Answer here is quite simple. Sensor of the camera has bayer structure, it is looking like this: And 4: In top cinema cameras this is done combining 4 sensor values 2xG, B, R , and requires 4x of sensor resolution. As you know, resolution of Black Magic camera is too low, so you can't make true 4: Hence they use 4: Back to Forum.

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User Tools Login. Site Tools. You are here: Raw requirements. Why is this? Is it budget camera or not? Can I just transcode to some compressed raw format to keep raw advantage, but reduce requirements? Storage related workflow. The files are easy to work with, no transcoding necessary, and at 10 bits, the file size is smaller to deal with.

This format does not have to be color graded the camera applies a burned in LUT , but you can adjust it with limited range. Once you have your media, import it directly into your editing application and go. Round tripping is not necessary. The 12 bit uncompressed RAW opens the door to freedom and creativity with color grading.

The dynamic range is outstanding. If you have never worked with RAW format, this camera offers a great opportunity for testing the waters. This also works for Premiere Pro. New Proxy file for editing.

Proxy Workflow: Edit Large 4k RAW files on a Laptop! Premiere Pro CC 2015 and 2017

Each clip in your timeline will export as an individual proxy file. You can now import the proxy files into your NLE of choice.

Storage related workflow

In your NLE, create a new project and import your files. Make your edits in the timeline and save project. To include After Effects in the above workflow, one option is to work with those shots that need effects separately. Export those clips to AE and do the necessary work. Then export the final composition as a standalone clip. DaVinci Resolve comes with a configuration guide.

You will need a high performance graphic processor and other requirements to get the most out of this software. Part of what makes this camera and software package so exciting is that you have the option to shoot for cinema and export for cinema. Make your adjustments and then render it out as a movie.

In Photoshop, open one image. Then make your adjustments recording a Photoshop Action and apply those adjustments to the rest of the images in that sequence. Here is a link — http: Adobe has a free download to convert your DNG files so they are accessible to process in a variety of software. This may be more useful to photographers. Camera manufacturers use different RAW formats, which can make it challenging to open the files. You can find more information and download the converter here: Buy the Blackmagic Cinema Camera: I definitely love this one the most really.

Huge kudos for posting this, guys! Great stuff as always shane.. You are such a big help. Hopefully one day I can work with you, or have you shoot something I wrote.. Legacy FCP is no longer supported by Apple. Why spend time and resource on something that is no longer supported. FCPX is a current platform supported by Apple. This article mainly covers his workflow which is really interesting. Thanks for your support and comments. Great follow to the furst post Derek. Glad to see the BMCC is getting love from all over, especially form the Hurlbut Team who are doing massive work in the industry as it relates to education and more.

I burn in Timecode and other information, when making proxies Resolve has a ton of options for that — especially directors love this, when they watch daylies on their iPad after shooting.

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Thanks for the great post Shane. Quick question — do you feel ProRes makes the grade when shooting a feature film? It depends on your workflow. I would say a feature film project would embrace Raw more than pro res. Thanks for the comment. Just doing post on the bmcc today. I tried to install resolve lite, but it demands 8gb ram. We had one machine 6gb and another machine with gfx but only 3gb ram.

We didnt expect Resolve lite to need all that ram. We had gbs of footage. CinemaDNG is an adobe format. We open a camera raw sequence in AE and it gives you still photo style adobe camera raw window where you apply your dailies type grade to the raw file. Then once you have all the clips imported with a rough grade, you transcode to ProRes. It looks like gb will be split over two Mac pros gb each will take 20 hours each.

If we can tweak the color in fcpx, great. I think on a project that required lots of matching shots and heavy grading, this method may not be ideal. But for this simple one day shoot…. When you export the CinemaDNG files to create the proxies, does Resolve automatically sync and export the camera recorded audio? Andrew- If audio is recorded internally in the camera it will be automatically synced in Resolve. You can enable or disable audio in the preferences. Ideally, what I want to do is import the DNG sequence, do my compositing, and export back out to something comparable to the original raw for grading in Resolve while maintaining all of the color information.

Ross Hamil, thank-you for your support.